Donatello, Michelangelo and Bernini One of the best known art works in the world: Michelangelo's David, completed inFlorence. You can click on any of the images to enlarge them. Whenever artists interpret a subject that has received artistic interpretation previously, such as the young David from the Old Testament account, it's simultaneously a homage to the artists who have done the artistic interpretation before, as well as an updated cultural account on how things have changed since the last time the subject matter was utilized; comparing the radically different presentations of David by these three artists illuminates otherwise un-documented shifts in thought and attitude each artist incorporates into their depiction of David and, consequently, the heroic battle against Goliath.
The Three Davids Donatello, Verrocchio, and Michelangelo The biblical story of the young David slaying the Philistine giant Goliath with a stone from his sling, served as an heroic inspiration for many Renaissance artists. The three Davids, separated by sixty years, from Donatello's David, on to Verrocchio's version, and finally to Michelangelo's marble incarnation, highlight the popularity of David as an artistic subject.
Three statues of the same subject by three renaissance masters, from left to right: It was the first unsupported work to be cast in bronze of the Renaissance era.
The statue's nakedness and implied homosexuality, with David clad no more that boots and a hat, made this work very controversial at the time. Some historians have questioned if this statue does depict David, and suggest that the helmet is more reminiscent of the Greek or Roman messenger gods, Hermes or Mercury.
Verrocchio's David was commissioned by the Medici family, and popular legend states that the model for the statue was a young artist from Verrocchio's studio, Leonardo da Vinci.
The placement of Goliath's head has been the subject of debate. Some historians say that the head should be placed between David's feet while others claim that it belongs to the right.
The statue has been exhibited using both placements. A 17ft masterpiece carved from the finest marble from a quarry in Carraea, this is Michelangelo's David.
The artist was only twenty-six years old when he was given the commission and he worked on the statue for over two years. This David does not include the head of Goliath, as in the works by Donatello and Verrocchio, but depicts the moments before or after the battle with the slingshot placed over the left shoulder.
A committee of artists, including Botticelli and Leonardo da Vinci, met and decided that the statue should be situated at the entrance to the Palazzo Vecchio on the Piazza della Signoria in Florence. The original sculpture is now in the Accademia Gallery in Florence.
The David in the Piazza della Signoria is a replica. The Three Davids "Heads".The three statues of David are artworks of four different artists who are Bernini, Michelangelo, and Donatello.
The paper also has the brief history of each of the four artists. In addition, the paper also compares and contrasts different artworks from different artists with accordance to how artwork meant to each artist, the tools that were.
contrasting are the three statues of David, by Donatello (Donato di Niccolò di Betto Bardi), Michelangelo (Michelangelo di Lodovico Buonarroti Simoni), and Bernini (Gian Lorenzo Bernini). The statues are modeled after the biblical David, who was destined to become the second king of Israel.
This is the same study guide that you have in your Course Packet. The answers are in red.
Comparing the Three Statues of David The pieces of art I will be comparing and contrasting are the three statues of David, by Donatello (Donato di Niccolò di Betto Bardi), Michelangelo (Michelangelo di Lodovico Buonarroti Simoni), and Bernini (Gian Lorenzo Bernini).
Jun 14, · The three parts of David's hair Bernini creates, as opposed to the mass of hair Michelangelo gave his David, or the simple, close cut of Caravaggio's David, suggests that Bernini's David contemplates the Holy Trinity, and how mysteriously the Trinity are separate, but unified, just like David's own being in this moment.
Even though it was small in comparison to Michelangelo’s scale David represented a heroic figure to the Florentines who saw him as a symbol of their own struggle against powerful forces.
Donatello’s sculpture shows a David who .